"Tracing all the pre-colonial representations of "Hottentots" and "Hottentotism" operative in early-modern England allows us to see the birth and the development of a prejudice that became central to the nation.
It is Paris, 1815. An extraordinarily shaped South African girl known as the Hottentot Venus, dressed only in feathers and beads, swings from a crystal chandelier in the duchess of Berry’s ballroom.
In doing so, the book raises questions about the possibilities and limits of biography for understanding those who live between and among different cultures.